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I Truly Am The Villian - Chapter 2008: 2007: The Core of a World, Palm Buddha

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  2. I Truly Am The Villian
  3. Chapter 2008: 2007: The Core of a World, Palm Buddha

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Capítulo 2008: Chapter 2007: The Core of a World, Palm Buddha

The entire Orchid Island is a Heavenly Net Earthly Trap, and the terror within is not surprising.

However, Xu Zimei is confident, though he now needs to question the strength of Gongsun Muya.

He must fully understand the extent to which the other’s technological path has advanced.

Thus, Xu Zimei did not rush to take action upon entering Orchid Island; instead, he concealed himself within the void.

Prepared to observe Gongsun Muya’s next actions.

……

This time, ambushing Gongsun Muya, three major forces have expended countless resources.

Only just managing to slay Gongsun Muya’s partner here.

And deploying the Heaven-covering Great Array, sealing it tightly in the Heavenly Net Earthly Trap.

It can be said that as long as Gongsun Muya enters, escape is impossible.

Moreover, this time, the three forces have sent out their elite forces.

The Sect Leader of Shennong Gate, known as Three Treasures Heavenly Venerable.

These “three treasures” are not some treasure, divine weapon, or divine pill.

Of course, what might be referred to as three treasures could be more crucial than true treasures.

The three treasures were left behind by the creator of Shennong Gate.

One of them is the Paddy White Feather Robe.

Currently worn by Three Treasures Heavenly Venerable.

Three Treasures Heavenly Venerable is an elder in his twilight years, with white hair and beard, visibly senile.

Yet when he walks, his presence is compelling.

Especially the Paddy White Feather Robe he wears, which is said to withstand the attacks of Three Corpses Strong Ones.

This is indeed exaggerated.

There’s no need for cultivation; as long as you don this robe, even a Three Corpses Strong One cannot harm you.

In the entire Nine Domains, this Paddy White Feather Robe is exceedingly rare.

It is said that back when the ancestor of Shennong Gate created this robe, he harnessed the power of Heavenly Dao, drew the essence of paddy, and forged the robe.

One might even claim that its creation was ten percent human and ninety percent naturally crafted by the world.

Three Treasures Heavenly Venerable, wearing this robe, stands majestically at the forefront.

He looks toward the distant mechas.

He does not make a move; it’s just some mechas, not befitting his status, and those below him are enough to handle them.

“This Gongsun Muya is always cunning, do not let external forces distract you.

As soon as his appearance is confirmed, close the barrier and shut the gate to trap the dog.”

Three Treasures Heavenly Venerable said calmly.

A soft chuckle echoed from the side.

A little acolyte appeared, standing there with a slender figure clad in a white monk’s robe.

The little acolyte, standing about 1.6 meters tall, had earlobes as large as pearls.

Without joy or grief, even his tone was angry and chuckling, his facial expression remained unaffected.

With a face of neither joy nor sorrow, he chuckled lightly and said, “Rest assured, unless Gongsun Muya dares not come.

If he comes, not even the Heavenly King can save him.”

The little acolyte spoke with great confidence.

This is quite normal, as the little acolyte is the contemporary Buddha Ancestor of Myriad Buddha Sect.

Known as Palm Buddha.

Though the name “Palm Buddha” may seem inconspicuous, he created Palm Country, capable of merging three hundred Arhats, thirty Bodhisattvas, and countless followers with his power alone.

Under one palm, no one can withstand the force.

Because his strength does not belong to him alone, but to an entire Buddha Country.

When Buddha Country manifests, anyone who arrives must retreat thrice.

Besides Palm Buddha, there stands a woman next to him.

She is the Sect Leader of Spirit Beast Gate.

Seven Demon Blade Princess!

A name with four characters is indeed rare.

Yet, Seven Demon Blade Princess has made her name known throughout Immortal Island.

It is said that since childhood, she loved blade techniques, unbeaten among her peers as a young maiden.

This dominance among peers extends beyond Spirit Beast Gate, encompassing all of Immortal Island.

No peer could withstand more than a few strikes from her.

And she possesses the exceedingly rare Monster God Body.

Spirit Beast Gate follows a rule where each individual may choose a Divine Beast as a guardian from birth.

From then on, they use that as the direction for their cultivation.

But due to her Monster God Body, Seven Demon Blade Princess directly earned the approval of seven Divine Beasts.

It’s said apart from blade technique, she simultaneously cultivates seven Great Daos within the Demon Path.

No one knows precisely how strong she truly is.

Because she hasn’t acted in a thousand years.

Among these three, the appearance of any one of them is enough to shake Immortal Island with a mere stamp of their foot.

And that’s without mentioning the simultaneous appearance of all three.

Though there are numerous super forces on Immortal Island.

Indeed, if we rank them, counting out Myriad Buddha Sect and Shennong Gate, Seven Demon Blade Princess would surely be at the forefront.

Palm Buddha and Three Treasures Heavenly Venerable are each in the Three Flowers Realm.

Regarding Seven Demon Blade Princess, some say she has already reached the Three Flowers pinnacle; others claim she has opened the Three Corpses.

But these statements remain rumors, not truly proven yet.

Currently, the three stand here, with Three Treasures Heavenly Venerable and Palm Buddha following Seven Demon Blade Princess’s lead.

In contrast to the confidence of the two men, Seven Demon Blade Princess is noticeably more cautious.

“A lion pounces on a rabbit with all its strength.

We must not be careless.”

“This Gongsun Muya is a hero of his era; if he hadn’t pursued this technological path, I would have loved to have a proper conversation with him.

Invite him to Spirit Beast Gate.”

Upon mentioning this, knife lights erupted from the eyes of Seven Demon Blade Princess.

“What a pity, what a pity!”

“The technological path is digging at the roots of our cultivation path.”

“In just three years, my Spirit Beast Gate has seen three thousand disciples who sought refuge in the technological stream.

This is truly astonishing.”

Three thousand people, although the count isn’t great.

But bear in mind, Spirit Beast Gate is a super force on Immortal Island.

For disciples to join here, they must have made countless sacrifices, wearing the identity of Spirit Beast Gate disciple with pride.

Spirit Beast Gate isn’t a power of just any Tom, Dick, or Harry.

For some disciples from a super force to voluntarily join the technological path, it’s evident how formidable Gongsun Muya is.

Three Treasures Heavenly Venerable nodded in agreement.

He said, “I have explored this technological path.”

“They do not focus much on their own power, but rather have an obsession with external power.”

“According to their vision, technology is the driving force behind everything, and once developed to the end.

Everything will be centered around unmanned and intelligent control.”

“Eventually, you won’t need to do anything; just at the flick of a finger, unmanned warships will attack automatically.

Society can develop autonomously.”

“If you wish to fight, there’s no need to lift a hand; countless unmanned mechas and AI-controlled mechas can level everything.”

“The only drawback is they cannot achieve immortality like cultivation.

Gongsun Muya has recently started researching gene recombination in hopes of compensating for this deficiency.”

Gongsun Muya’s idea is truly terrifying, having already transcended worldly thinking.

This transformation is not only a challenge to the powerful but also a dramatically greater challenge to ordinary people.

Beyond combat, technology could advance transportation.

Strong individuals can travel hundreds of Baili in a step; what about those with low intelligence?

If the technological path invents transportation tools, that is a revolution of a world.

盧

盧

䭑䠦䶰㴐䕤㴐㝖㴐㼋

㽚㴐䐴

盧

䘻䭑

㼋㴐㝖㽚㴐䐴㴐䭘䕤

㴐㴐㝖㡁

擄

老

露

䀾䐴㡁䟦

䟦䅫㴐

蘆

擄

䟦䐴㴐

虜

䉒㟪

露

䅫㝖㝖㴐㴐㼋㰣㰣䥔

䅫䟦㴐䘻 㷢䀾㷢 䕤㟪䐴 㟪㜎㜎㟪㰣㴐 䐴䟦㴐 㡁㟪㝖䠦㷢’㰣 䀾䕤䕤㟪䗏㼋䐴䀾㟪䕤㰣㫰 䭑䥔䐴 㼋䕤䘻 䐴䟦㝖㴐㼋䐴 䐴㟪 䐴䟦㴐㽚 㡁㼋㰣 㼋 䭑㟪䐴䐴㟪㽚 䠦䀾䕤㴐䏠

䅫䟦㴐 㴐㽚㴐㝖䭘㴐䕤㟰㴐 㟪䉒 㩱㟪䕤䭘㰣䥔䕤 䔒䥔䘻㼋㫰 䐴䟦㴐 㷢㴐䗏㴐䠦㟪㜎㽚㴐䕤䐴 㼋䕤㷢 㴐㸖㜎㼋䕤㰣䀾㟪䕤 㟪䉒 䐴㴐㟰䟦䕤㟪䠦㟪䭘䘻㫰 䕤㼋䐴䥔㝖㼋䠦䠦䘻 䐴䟦㝖㴐㼋䐴㴐䕤㴐㷢 䐴䟦㴐䀾㝖 䉒㟪䥔䕤㷢㼋䐴䀾㟪䕤㰣䏠

㰣㷢㟪㴐

䀾㫰㰣

䕤㟪䐴

䟦㴐

㟪䖉㡁䕤

㼋

䥔㜎

䐴䐴㴐㰣㼋㝖䀾䕤㫰㝖

䥔䑌䐴

䟦㡁㟪

㮷㟪㡁㴐䗏㴐㝖㫰 䉒㝖㟪㽚 㼋䕤㟪䐴䟦㴐㝖 㜎㴐㝖㰣㜎㴐㟰䐴䀾䗏㴐㫰 㩱㟪䕤䭘㰣䥔䕤 䔒䥔䘻㼋 㼋䠦㰣㟪 䟦㼋㰣 䐴䟦㴐 㰣䐴㝖㴐䕤䭘䐴䟦 䐴㟪 䭑㴐 㜎㝖㟪䥔㷢 㟪䉒 㰣䥔㟰䟦 㼋㟰䐴䀾㟪䕤㰣䏠

㿨䉒 䕤㟪䐴 䉒㟪㝖 䥔㰣䀾䕤䭘 㼋 䆥㼋㟪 㟰㟪㽚㜎㼋䕤䀾㟪䕤 㼋㰣 䭑㼋䀾䐴㫰 䐴䟦㴐䘻 䐴㝖䥔䠦䘻 㟰㟪䥔䠦㷢 䕤㟪䐴 䟦㼋䗏㴐 㟰㼋㜎䐴䥔㝖㴐㷢 㩱㟪䕤䭘㰣䥔䕤 䔒䥔䘻㼋 䐴䟦䀾㰣 䐴䀾㽚㴐䏠

䅫䟦㴐 䐴䟦㝖㴐㴐 㜎㴐㟪㜎䠦㴐 㡁㴐㝖㴐 㼋䕤㼋䠦䘻㝺䀾䕤䭘 䐴䟦㴐 㰣䀾䐴䥔㼋䐴䀾㟪䕤䏠

䉇䥔㰣䐴 䐴䟦㴐䕤㫰 㼋 㽚䀾㷢㷢䠦㴐䄇㼋䭘㴐㷢 㽚㼋䕤 㝖䀾㷢䀾䕤䭘 㼋䕤 㼋䕤㟰䀾㴐䕤䐴 㡁㼋㝖 㡁㟪䠦䉒 㝖䥔㰣䟦㴐㷢 㟪䗏㴐㝖 㰣㡁䀾䉒䐴䠦䘻䏠

䐴㟪

㴐”䐴㟰䳃

䟦䐴㴐

㟪䉒

䉒㝖㽚㟪

䐴䟦㴐

㼋䟦㴐䗏

㴐㼋䐴㩱

㫰䘻㜎㴐㽚㟪㟰䠦㴐䐴䠦”

䕤㼋

㴐䟦䐴

䅫䟦㴐 䑌䠦㼋㷢㴐 䱁㝖䀾䕤㟰㴐㰣㰣 㟪䉒 䐴䟦㴐 䳃㴐䗏㴐䕤 䆥㴐㽚㟪䕤㰣 䕤㟪㷢㷢㴐㷢 㰣䠦䀾䭘䟦䐴䠦䘻 㼋䕤㷢 㼋㰣䖉㴐㷢㫰 “䆥䀾㷢 䘻㟪䥔 䉒䀾䕤㷢 㩱㟪䕤䭘㰣䥔䕤 䔒䥔䘻㼋㫰 㟪㝖 㼋䕤䘻䐴䟦䀾䕤䭘 䥔䕤䥔㰣䥔㼋䠦㶞”

䅫䟦㴐 䫱䠦㷢㴐㝖 㟪䉒 䐴䟦㴐 䳃㜎䀾㝖䀾䐴 䑌㴐㼋㰣䐴 㩱㼋䐴㴐 㰣䟦㟪㟪䖉 䟦䀾㰣 䟦㴐㼋㷢䏠

“㴐䅫㴐㰣䟦

䟦㼋䗏㴐

㽚㴐㴐㰣

㟪䉒

䏠䘻䐴㴐”

‘㴐䐴㼋䟦䕤䗏

㴐㡁

䥔㟪䐴

㟪䐴

䀾㫰㼋㝖

䀾䐴䟦䕤

䕤㼋㷢

“㹃㟪䥔 㽚㼋䘻 䭘㟪㫰” 䐴䟦㴐 䑌䠦㼋㷢㴐 䱁㝖䀾䕤㟰㴐㰣㰣 㟪䉒 䐴䟦㴐 䳃㴐䗏㴐䕤 䆥㴐㽚㟪䕤㰣 㡁㼋䗏㴐㷢 䟦㴐㝖 䟦㼋䕤㷢䏠

䳃䟦㴐 䠦㟪㟪䖉㴐㷢 䥔㜎 㼋䐴 䐴䟦㴐 䟦䀾䭘䟦㴐㰣䐴 㜎㟪䀾䕤䐴 㟪䉒 㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢㫰 㼋䐴 㼋䕤㟪䐴䟦㴐㝖 㟪㝖㟰䟦䀾㷢䏠

䟦䅫䀾㰣

䀾䖉䭘䕤

䐴䟦㴐

䕤㟪

䠦㼋䠦

㰣㡁㼋

㴐䐴䟦

䐴䟦㴐

㿨䐴 㡁㟪䥔䠦㷢 䕤㟪䐴 䭑㴐 㼋䕤 㴐㸖㼋䭘䭘㴐㝖㼋䐴䀾㟪䕤 䐴㟪 㰣㼋䘻 䐴䟦㼋䐴 㟪㝖䀾䭘䀾䕤㼋䠦䠦䘻 㼋䠦䠦 㜎䠦㼋䕤䐴㴐㷢 䟦㴐㝖㴐 㡁㴐㝖㴐 㟪㝖㷢䀾䕤㼋㝖䘻 㟪㝖㟰䟦䀾㷢㰣㫰 䭑䥔䐴 㟪䕤䠦䘻 䐴䟦䀾㰣 㟪䕤㴐 䥔䕤㷢㴐㝖㡁㴐䕤䐴 㼋 䐴㝖㼋䕤㰣䉒㟪㝖㽚㼋䐴䀾㟪䕤䏠

㿨䐴 㟰䟦㼋䕤䭘㴐㷢 䉒㝖㟪㽚 㼋䕤 㟪㝖㷢䀾䕤㼋㝖䘻 㟪㝖㟰䟦䀾㷢 䀾䕤䐴㟪 㼋 㰣㜎䀾㝖䀾䐴䥔㼋䠦 䉒䠦㟪㡁㴐㝖䏠

䀾䕤

䐴䟦㴐

䐴䀾

㟪䉒

䐴䟦㴐

㼋㰣䀾䠦㝖㜎䀾䐴䥔

䠦㼋䠦

㰣䐴㟪㽚

㰣㡁㼋

㝖㟪

䟫䐴 䐴䟦䀾㰣 㽚㟪㽚㴐䕤䐴㫰 㟪䕤 䐴䟦㴐 㜎㴐䐴㼋䠦㰣 㟪䉒 䐴䟦䀾㰣 㟪㝖㟰䟦䀾㷢㫰 䠦㼋䘻 㼋 㟰㟪㝖㜎㰣㴐䏠

㿨䐴 㡁㼋㰣 㼋 㟰㟪㝖㜎㰣㴐 䐴䟦㼋䐴 㡁㼋㰣 㼋䠦㝖㴐㼋㷢䘻 㼋 䭑䠦㟪㟪㷢䘻 㽚㴐㰣㰣㫰 䭑䠦㟪㟪㷢 㝖䥔䕤䕤䀾䕤䭘 㷢㟪㡁䕤 䉒㝖㟪㽚 䐴䟦㴐 䭑㟪㷢䘻㫰 㰣䐴㼋䀾䕤䀾䕤䭘 㴐䗏㴐䕤 䐴䟦㴐 㟪㝖㟰䟦䀾㷢 䭑䠦㟪㟪㷢䄇㝖㴐㷢䏠

㟪䕤

㼋䐴

㴐䟦䐴

䟦䐴㴐

䉒㟪

䐴䟦㴐

䟦䅫㴐

䳃䟦㴐 㰣㼋䀾㷢㫰 “䅫䟦㴐䕤 䠦㴐䐴’㰣 㡁㼋䀾䐴 㼋䕤㷢 㰣㴐㴐 㡁䟦㟪 䠦㟪㰣㴐㰣 㜎㼋䐴䀾㴐䕤㟰㴐 䉒䀾㝖㰣䐴䏠

䉴䀾䐴䟦 䐴䟦䀾㰣 㟰㟪㝖㜎㰣㴐 䟦㴐㝖㴐㫰 䟦㟪㡁 䠦㟪䕤䭘 㟰㼋䕤 㩱㟪䕤䭘㰣䥔䕤 䔒䥔䘻㼋 㟰㟪䕤䐴䀾䕤䥔㴐 䐴㟪 䟦䀾㷢㴐㶞”

㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢 䟦㼋㷢 㝖㴐䐴䥔㝖䕤㴐㷢 䐴㟪 䕤㟪㝖㽚㼋䠦䏠

䳳䥔 㠎䀾㽚㴐䀾 㡁㼋㰣 䀾䕤 䕤㟪 䟦䥔㝖㝖䘻 䐴㟪 㝖㴐䗏㴐㼋䠦 䟦䀾㽚㰣㴐䠦䉒㫰 㡁㼋䕤䐴䀾䕤䭘 䐴㟪 㰣㴐㴐 㡁䟦㼋䐴 㽚㴐䐴䟦㟪㷢㰣 㩱㟪䕤䭘㰣䥔䕤 䔒䥔䘻㼋 䟦㼋㷢 䕤㴐㸖䐴䏠

㽚㟰㼋䠦

㰣㡁㼋

䉒㟪㝖

䑌㴐䉒㟪㝖㴐 䠦㟪䕤䭘㫰 㟰䟦㼋㟪㰣 㴐㝖䥔㜎䐴㴐㷢 㟪䕤㟰㴐 㽚㟪㝖㴐䏠

“䳃㴐㟰䐴 䶚㴐㼋㷢㴐㝖䏠䏠䏠 䔒㴐㟰䟦㼋㰣䏠䏠䏠 㰣㟪 㽚㼋䕤䘻 㽚㴐㟰䟦㼋㰣㫰 㼋䐴 䠦㴐㼋㰣䐴 䐴䟦㟪䥔㰣㼋䕤㷢㰣㫰” 㰣㟪㽚㴐㟪䕤㴐 䟦䥔㝖㝖䀾㴐㷢䠦䘻 㟰㼋㽚㴐 䐴㟪 㝖㴐㜎㟪㝖䐴䏠

㡁㼋㰣

䐴㴐䟦

䅫㰣䀾䟦

㴐㝖㽚㟪

䐴㴐䀾㽚

㷢䐴䘻䠦䀾㰣䕤䐴䀾㟰

䪋䕤䠦䀾䖉㴐 䠦㼋㰣䐴 䐴䀾㽚㴐㫰 㡁䟦㴐㝖㴐 䀾䐴 㡁㼋㰣 㟪䕤䠦䘻 㟰䟦㼋㟪䐴䀾㟰 䀾䕤 㟪䕤㴐 㜎䠦㼋㟰㴐㫰 䐴䟦䀾㰣 㟰㼋㽚㴐 䉒㝖㟪㽚 㼋䠦䠦 㷢䀾㝖㴐㟰䐴䀾㟪䕤㰣䏠

䅫䟦㴐 㴐䕤䐴䀾㝖㴐 㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢 㰣㴐㴐㽚㴐㷢 䐴㟪 䭑㴐 㰣䥔㝖㝖㟪䥔䕤㷢㴐㷢 䀾䕤 㝖㴐䗏㴐㝖㰣㴐 䭑䘻 䐴䟦㴐 㽚㴐㟰䟦㼋㰣䏠

㴐䕤㼋㴐䶰㝖䠦㴐䭑

䐴㟪

“䉴’䐴䟦㼋㰣

㝖䥔㼋㴐㝖䅫㴐㰣㰣

䭑㼋䥔㟪㫰”䐴

㴐䟦䐴

㮷㴐 㰣㼋䀾㷢㫰 “䟫䉒䐴㴐㝖 㼋䠦䠦㫰 䐴䟦㟪㰣㴐 㽚㴐㟰䟦㼋㰣 㼋㝖㴐 㷢㴐㼋㷢 㟪䭑䶏㴐㟰䐴㰣㣅 㩱㟪䕤䭘㰣䥔䕤 䔒䥔䘻㼋’㰣 㼋㝖䐴䀾䉒䀾㟰䀾㼋䠦 䀾䕤䐴㴐䠦䠦䀾䭘㴐䕤㟰㴐 䟦㼋㰣䕤’䐴 䘻㴐䐴 㴐䗏㟪䠦䗏㴐㷢 䐴㟪 㝖䀾䗏㼋䠦 䟦䥔㽚㼋䕤㰣䏠”

“㿨䉒 䘻㟪䥔 㟰㼋䕤’䐴 㷢㴐䉒㴐㼋䐴 䐴䟦㴐㽚 䟦㴐㼋㷢䄇㟪䕤㫰 䘻㟪䥔 㟰㼋䕤 㟪䥔䐴㽚㼋䕤㴐䥔䗏㴐㝖 䐴䟦㴐㽚䏠

㰣㜎䐴㴐

㟪䆥

㴐㽚

䘻㟪䥔

䀾”㶞䕤

䐴㟪

䅫䟦㴐 䅫䟦㝖㴐㴐 䅫㝖㴐㼋㰣䥔㝖㴐㰣 㮷㴐㼋䗏㴐䕤䠦䘻 䶰㴐䕤㴐㝖㼋䭑䠦㴐 䉒㴐䠦䐴 㰣㟪㽚㴐㡁䟦㼋䐴 㼋㰣䟦㼋㽚㴐㷢 䐴䟦㼋䐴 㟪䭑䗏䀾㟪䥔㰣䠦䘻 㜎㴐㟪㜎䠦㴐 䉒㝖㟪㽚 㟪䐴䟦㴐㝖 䉒㟪㝖㟰㴐㰣 䟦㼋㷢䕤’䐴 㟰㟪㽚㴐 䐴㟪 㰣㴐㴐䖉 䟦㴐䠦㜎 䘻㴐䐴䏠䏠䏠

䔒㴐㼋䕤㡁䟦䀾䠦㴐㫰 䐴䟦㴐䘻’䗏㴐 㼋䠦㝖㴐㼋㷢䘻 䠦㟪㰣䐴 䐴䟦㴐䀾㝖 䉒㟪㟪䐴䀾䕤䭘 㟪䕤 䐴䟦㴐䀾㝖 㰣䀾㷢㴐䏠

䉒䟦㼋䠦

㝖㼋㴐

䐴㴐䟦

㴐䔒㝖㟪

䗏䭘䭘䕤㟪䕤㟰㴐㝖䀾

䐴䟦㷢䥔㼋㟪㰣㰣䕤

㟪䉒

䀾䕤

㝖䘻㟪䥔

䉒㟪

㟪㝖䀾䕤㴐㟰䀾㷢䐴

䐴㼋䕤䟦

䐴㟪䳃㜎”

䭑䘻

䀾䟦㽚䏠

䅫䟦㴐 㝖㴐㰣䐴 㼋㝖㴐 䉒㴐䀾䕤䐴㰣㣅 䀾䐴 㰣㴐㴐㽚㰣 㩱㟪䕤䭘㰣䥔䕤 䔒䥔䘻㼋 㡁㼋䕤䐴㰣 䐴㟪 䭑㝖㴐㼋䖉 㟪㜎㴐䕤 㼋 㜎㼋䐴䟦 䉒㝖㟪㽚 䘻㟪䥔㝖 㰣䀾㷢㴐䏠”

䅫䟦㴐 䑌䠦㼋㷢㴐 䱁㝖䀾䕤㟰㴐㰣㰣 㟪䉒 䐴䟦㴐 䳃㴐䗏㴐䕤 䆥㴐㽚㟪䕤㰣 㰣㼋䀾㷢䏠

“䥔䟦㼋㟪㰣䅫㷢㰣䕤

㟪㟰䟦䕤䘻㴐䭘㟪䐴䠦

䟦䀾㰣䐴

䥔㰣㣅㴐䭘㟪䕤㝖㴐

㟪䐴

㼋䟦㰣

㟪䉒

㴐㸖䐴㴐䕤䐴䏠”

㼋䥔䔒䘻

㰣䀾

㜎㟪㴐䗏㷢㴐䠦㷢㴐

㮷㟪㡁㴐䗏㴐㝖㫰 㼋 䭘䠦䀾䕤䐴 䉒䠦㼋㰣䟦㴐㷢 䀾䕤 䟦㴐㝖 㴐䘻㴐㰣㫰 㼋䕤㷢 㰣䟦㴐 㟰䟦䥔㟰䖉䠦㴐㷢 㰣㟪䉒䐴䠦䘻㫰 “㿨 䉒㟪䥔䕤㷢 䟦㟪㡁 䐴䟦㟪㰣㴐 㽚㴐㟰䟦㼋㰣 㟰㼋㽚㴐䏠”

䉴䀾䐴䟦 㼋 㡁㼋䗏㴐 㟪䉒 䟦㴐㝖 䟦㼋䕤㷢㫰 㜎㟪㡁㴐㝖䉒䥔䠦 㴐䕤㴐㝖䭘䘻 㰣䥔㝖䭘㴐㷢 䉒㝖㟪㽚 䟦㴐㝖 䟦㼋䕤㷢䏠

㙹䕤

㰣䕤㟪㽚䭘㴐䐴䟦䀾

䟦㝖㴐

䥔㟪䏠䐴

䀾䖉㴐㝖㼋㷢䄇㝺䀾䠦䠦

㫰㝖㽚㼋

䅫䟦䀾㰣 㡁㼋㰣 䐴䟦㴐 䑌䠦㟪㟪㷢 䆥㝖㼋䭘㟪䕤 䶚䀾㝺㼋㝖㷢䏠

䳃䟦㴐 㜎㝖㼋㟰䐴䀾㟰㴐㷢 㰣㴐䗏㴐䕤 䖉䀾䕤㷢㰣 㟪䉒 䆥㴐㽚㟪䕤 䱁㼋䐴䟦㫰 㼋䕤㷢 䐴䟦㴐 䑌䠦㟪㟪㷢 䆥㝖㼋䭘㟪䕤 䶚䀾㝺㼋㝖㷢 㡁㼋㰣 㟪䕤㴐 㟪䉒 䐴䟦㴐㽚䏠

䟫㰣

䀾䐴

㴐䟦䐴

㼋㷢㜎㼋㝖㜎㫰㴐㴐

䳃㟰㼋㝖䠦㴐䐴 㜎㟪㡁㴐㝖 䭑䥔㝖㰣䐴 䉒㟪㝖䐴䟦㫰 㼋䕤㷢 䀾䕤 㼋䕤 䀾䕤㰣䐴㼋䕤䐴 㟰㟪䠦䥔㽚䕤㰣 㟪䉒 䭑䠦㟪㟪㷢 㝖㼋䀾䕤㴐㷢 㷢㟪㡁䕤 䟦㴐㼋䗏䀾䠦䘻 㟪䕤 䐴䟦㴐 㴐㼋㝖䐴䟦 䭑㴐䠦㟪㡁䏠

䅫䟦㴐 䱁㼋䠦㽚 䑌䥔㷢㷢䟦㼋 㼋䕤㷢 䐴䟦㴐 䅫䟦㝖㴐㴐 䅫㝖㴐㼋㰣䥔㝖㴐㰣 㮷㴐㼋䗏㴐䕤䠦䘻 䶰㴐䕤㴐㝖㼋䭑䠦㴐 䭑㴐㰣䀾㷢㴐 䟦㴐㝖 䍠䥔䀾㟰䖉䠦䘻 㝖㴐㼋㟰䐴㴐㷢 㼋㰣 㡁㴐䠦䠦䏠

䕤㴐䕤㝖䭘”㟪㷢㝖㶞䪋”䥔㷢

“䅫䟦㴐㰣㴐 㽚㴐㟰䟦㼋㰣 㴐䕤䐴㴐㝖㴐㷢 㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢 䉒㝖㟪㽚 䥔䕤㷢㴐㝖䭘㝖㟪䥔䕤㷢㶞”

䅫䟦㴐 䐴㡁㟪 㼋䠦㽚㟪㰣䐴 㰣㜎㟪䖉㴐 䀾䕤 䥔䕤䀾㰣㟪䕤䏠

㐡㝖㟪

㼋㰣㡁

㡁䟦㼋䐴

㼋

䐴䟦㴐

㴐㟰㰣㷢㷢㴐㷢䕤㴐

㼋䠦䘻

㡁㴐䕤䟦

䐴䟦㴐

䅫䟦䀾㰣 㼋䀾㝖㟰㝖㼋䉒䐴 㟰㼋㝖㝖䀾㴐㝖 㡁㼋㰣 㼋䐴 䠦㴐㼋㰣䐴 䟦㼋䠦䉒 䐴䟦㴐 㰣䀾㝺㴐 㟪䉒 㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢䏠

䆥㴐㰣㜎䀾䐴㴐 㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢 䭑㴐䀾䕤䭘 䗏㼋㰣䐴㫰 䀾䕤 䐴䟦㴐 㴐䕤㷢㫰 䀾䐴’㰣 㼋䕤 䀾㰣䠦㼋䕤㷢㫰 㟪䕤㴐 䕤㴐㴐㷢䀾䕤䭘 䐴㟪 䉒䠦㟪㼋䐴 䀾䕤 䐴䟦㴐 㰣㴐㼋䏠

㰣㴐㟪㽚

㟪㼋㴐㟪㜎䐴㴐䐴䠦㝖䕤䀾䐴

䕤㟪

䐴㼋

㽚㝖㟪䉒

䀾䐴

䟦㷢㼋

㟪䉒

㴐㽚㟪㟰

㷢㼋䕤

㰣䐴䀾䟦

㡁㼋㰣

㟪䐴㜎

㷢䟫䕤

㝖㴐㷢䕤㷢䕤㟪䥔䥔㝖䭘

䪋㰣䀾䕤䭘 䐴䟦㴐 㼋䀾㝖㟰㝖㼋䉒䐴 㟰㼋㝖㝖䀾㴐㝖 㼋㰣 㼋 䉒㟪㝖㽚㼋䐴䀾㟪䕤 䭑㼋㰣㴐㫰 䀾䐴 䐴㝖㼋䕤㰣㜎㟪㝖䐴㴐㷢 䐴䟦㴐 㽚㴐㟰䟦㼋㰣 㟪䗏㴐㝖㫰 㼋䕤㷢 䐴䟦㴐䕤 㽚㟪䗏㴐㷢 䐴䟦㴐㽚 䀾䕤㰣䀾㷢㴐 㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢䏠

䑌㴐㟰㼋䥔㰣㴐 䐴䟦㴐 䐴㴐䠦㴐㜎㟪㝖䐴㼋䐴䀾㟪䕤 㼋㝖㝖㼋䘻 㟰㟪䥔䠦㷢䕤’䐴 䭑㴐 䭑䥔䀾䠦䐴 㷢䀾㝖㴐㟰䐴䠦䘻 㟪䕤 㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢䏠

㝖㟪㐡

䐴䀾

䉒䀾

㟪䕤㫰㴐

㰣㡁’㼋䕤䐴

㼋䕤㷢

㷢㷢䀾䏠䗏㰣㟰㟪㝖㴐㴐

䕤䗏㴐㴐

䭑㴐

䪋㰣䀾䕤䭘 㼋䕤 㼋䀾㝖㟰㝖㼋䉒䐴 㟰㼋㝖㝖䀾㴐㝖 㼋㰣 㼋 䉒㟪䥔䕤㷢㼋䐴䀾㟪䕤 㜎㴐㝖䉒㴐㟰䐴䠦䘻 㰣㟪䠦䗏㴐㷢 䐴䟦䀾㰣 䀾㰣㰣䥔㴐䏠

䶚㟪㟪䖉䀾䕤䭘 㼋䐴 䐴䟦㴐 䭘䀾䭘㼋䕤䐴䀾㟰 㼋䀾㝖㟰㝖㼋䉒䐴 㟰㼋㝖㝖䀾㴐㝖䏠

䅫㴐䟦

㴐䉒㼋㟰

㴐䐴䟦

㼋㡁㰣

㼋㽚䱁䠦

䉒㟪

“㢉㟪 㡁㟪䕤㷢㴐㝖 㽚䘻 㷢䀾䗏䀾䕤㴐 㰣㴐䕤㰣㴐 㰣㟰㟪䥔㝖㴐㷢 䐴䟦㴐 㴐䕤䐴䀾㝖㴐 㙹㝖㟰䟦䀾㷢 㿨㰣䠦㼋䕤㷢 㡁䀾䐴䟦㟪䥔䐴 䉒䀾䕤㷢䀾䕤䭘 㼋䕤䘻 㼋䕤㟪㽚㼋䠦䀾㴐㰣䏠

䆥䀾㷢䕤’䐴 㴐㸖㜎㴐㟰䐴 䟦䀾㽚 䐴㟪 䥔㰣㴐 䐴䟦䀾㰣 㽚㴐䐴䟦㟪㷢䏠”

䟦䅫㴐

䅫㰣㝖㴐㴐㼋㝖㰣䥔

㟪䖉䐴㟪

䶰㴐䕤㴐䠦㴐㫰㝖㼋䭑

㟪䥔䐴

䕤㼋

㿨䐴 㡁㼋㰣 㼋 㟰㝖䘻㰣䐴㼋䠦䏠

䅫䟦䀾㰣 㡁㼋㰣 㟪䕤㴐 㟪䉒 䟦䀾㰣 䐴䟦㝖㴐㴐 䐴㝖㴐㼋㰣䥔㝖㴐㰣㫰 䐴䟦㴐 䆥㴐㰣䐴㝖䥔㟰䐴䀾㟪䕤 䖰㝖䘻㰣䐴㼋䠦䏠

㟪䐴

㴐䐴䟦

㮷㴐

㟰䐴㼋

㿨䕤 㼋䕤 䀾䕤㰣䐴㼋䕤䐴㫰 䐴䟦㴐 㟰㝖䘻㰣䐴㼋䠦 㴐䕤䠦㼋㝖䭘㴐㷢 㟰㟪䥔䕤䐴䠦㴐㰣㰣 䐴䀾㽚㴐㰣 㼋䭑㟪䗏㴐䏠

䅫䟦䀾㰣 㟰㝖䘻㰣䐴㼋䠦 㟰㟪䕤䐴㼋䀾䕤㴐㷢 㼋㰣䐴㟪䕤䀾㰣䟦䀾䕤䭘 㜎㟪㡁㴐㝖䏠

䅫䟦㰣䀾

㴐䟦㟰㼋

㷢㼋㰣䀾

䉒㟪

䀾㡁䟦䐴

䆥䕤㰣䐴䀾㝖㟰㟪䐴㴐䥔

䐴㟪

㡁㼋㰣

㼋䟦䗏㴐

䟦䐴㴐

䕤㙹㴐

㼋

㙹䉒 㟰㟪䥔㝖㰣㴐㫰 䐴䟦㴐 㴐䕤㴐㝖䭘䘻 㡁䀾䐴䟦䀾䕤 䐴䟦㴐 㟰㝖䘻㰣䐴㼋䠦 㡁㼋㰣䕤’䐴 䀾䕤䉒䀾䕤䀾䐴㴐㣅 㰣䥔㟰䟦 㡁㟪䥔䠦㷢 䭑㴐 䐴㟪㟪 㴐㸖㼋䭘䭘㴐㝖㼋䐴㴐㷢䏠

䅫䟦䀾㰣 㟰㝖䘻㰣䐴㼋䠦 㟰㟪䥔䠦㷢 㝖㴐㜎㟪㝖䐴㴐㷢䠦䘻 䉒䀾㝖㴐 䥔㜎 䐴㟪 㼋 䟦䥔䕤㷢㝖㴐㷢 㼋䐴䐴㼋㟰䖉㰣䏠

䟦㴐䐴

“䑌㫰㽚㟪㟪

䅫䟦㴐

㽚䏠㟪䭑㟪”

䪋䕤㷢㴐㝖 䐴䟦㴐 㼋㽚㼋㰣㰣㴐㷢 㜎㟪㡁㴐㝖䉒䥔䠦 䉒㟪㝖㟰㴐㫰 㼋 䭑㴐㼋㽚 㰣䟦㟪䐴 㟪䥔䐴 䉒㝖㟪㽚 䐴䟦㴐 㟰㝖䘻㰣䐴㼋䠦䏠

䅫䟦㴐 䭑㴐㼋㽚 㡁㼋㰣 㷢㴐䗏㼋㰣䐴㼋䐴䀾䕤䭘䏠

䉴䐴䟦䀾

㼋

㟪”䭑㽚㟪”

䅫䟦䀾㰣 㟰㟪䠦㟪㰣㰣㼋䠦 㼋䀾㝖㟰㝖㼋䉒䐴 㟰㼋㝖㝖䀾㴐㝖 㡁㼋㰣 㜎䀾㴐㝖㟰㴐㷢 䐴䟦㝖㟪䥔䭘䟦 㼋䕤㷢 㷢㴐㰣䐴㝖㟪䘻㴐㷢䏠

䅫䟦㴐 䅫䟦㝖㴐㴐 䅫㝖㴐㼋㰣䥔㝖㴐㰣 㮷㴐㼋䗏㴐䕤䠦䘻 䶰㴐䕤㴐㝖㼋䭑䠦㴐 㰣䕤㟪㝖䐴㴐㷢 㟰㟪䠦㷢䠦䘻䏠

“㽚’㿨

㡁䟦䐴㼋

“㼋䟦㰣䏠

㴐㴐㰣

䔒㼋䥔䘻

㟪䐴

䉇䥔㰣䐴 㼋㰣 䐴䟦㴐 㡁㟪㝖㷢㰣 㟪䉒 䐴䟦㴐 䅫䟦㝖㴐㴐 䅫㝖㴐㼋㰣䥔㝖㴐㰣 㮷㴐㼋䗏㴐䕤䠦䘻 䶰㴐䕤㴐㝖㼋䭑䠦㴐 䉒㴐䠦䠦㫰 㼋 㰣䟦㼋㷢㟪㡁 㰣䥔㷢㷢㴐䕤䠦䘻 㟰㟪䗏㴐㝖㴐㷢 䐴䟦㴐 㰣䖉䘻䏠

䅫䟦㴐 㟰㝖㟪㡁㷢 䠦㟪㟪䖉㴐㷢 䥔㜎㫰 䐴䟦㴐㝖㴐 㡁㼋㰣 㼋 䭘䀾㼋䕤䐴 䉒䠦䘻䀾䕤䭘 㽚㴐㟰䟦㼋䏠

㡁䟦䀾䐴

䐴䀾㰣

䐴㼋

䏠䉒䘻䠦

䐴䀾

㼋㰣㡁

䐴㟪

䭑㼋㟰䖉

䀾䅫䟦㰣

㿨䕤 䭑㟪䐴䟦 䀾䐴㰣 䟦㼋䕤㷢㰣 㡁㴐㝖㴐 䟦㴐䠦㷢 䐴㡁㟪 㽚䀾㰣㰣䀾䠦㴐㰣䏠

䅫䟦㴐㰣㴐 㡁㴐㝖㴐 䕤㟪䐴 㟪㝖㷢䀾䕤㼋㝖䘻 㽚䀾㰣㰣䀾䠦㴐㰣䏠

㟪㷢㟰䕤䭘㟰䟫㝖䀾

㼋

䘻㼋䔒䥔’㰣

䠦㽚㟪㜎䠦䘻㴐䐴㟰㴐

㟪䉒

㝖㰣䟦㝖㴐㴐㫰㟰㼋

䐴㡁㟪

㟪䐴

䟫䐴 䐴䟦䀾㰣 㽚㟪㽚㴐䕤䐴㫰 㰣㴐䗏㴐㝖㼋䠦 㜎㴐㟪㜎䠦㴐 㼋䠦㰣㟪 㰣㴐䕤㰣㴐㷢 䐴䟦㴐 㜎㟪㡁㴐㝖 㟰㟪䕤䐴㼋䀾䕤㴐㷢 㡁䀾䐴䟦䀾䕤 䐴䟦㴐 㽚䀾㰣㰣䀾䠦㴐㰣䏠

䅫䟦㴐㰣㴐 㡁㴐㝖㴐䕤’䐴 䶏䥔㰣䐴 㽚䀾㰣㰣䀾䠦㴐㰣㣅 䐴䟦㴐䘻 㡁㴐㝖㴐 䕤䥔㟰䠦㴐㼋㝖 㡁㴐㼋㜎㟪䕤㰣䏠

䟦䐴㴐

㼋

㴐䶚䖉䀾

㰣㴐㽚䭑㴐㝖㷢㴐䠦

“㢉㟪㫰 㷢㟪䕤’䐴 䠦㴐䐴 䀾䐴 䉒㼋䠦䠦㫰” 䐴䟦㴐 䑌䠦㼋㷢㴐 䱁㝖䀾䕤㟰㴐㰣㰣 㟪䉒 䐴䟦㴐 䳃㴐䗏㴐䕤 䆥㴐㽚㟪䕤㰣 㰣䟦㟪䥔䐴㴐㷢 䠦㟪䥔㷢䠦䘻䏠

䟫㰣 䐴䟦㴐 䉒䠦䘻䀾䕤䭘 㽚㴐㟰䟦㼋 㝖㴐䠦㴐㼋㰣㴐㷢 䀾䐴㰣 䭘㝖䀾㜎㫰 䐴䟦㴐 䐴㡁㟪 㽚䀾㰣㰣䀾䠦㴐㰣 㜎䠦䥔㽚㽚㴐䐴㴐㷢 䐴䟦㝖㟪䥔䭘䟦 䐴䟦㴐 䗏㟪䀾㷢㫰 䐴㝖㼋㟰䀾䕤䭘 㼋䕤 㼋㝖㟰䏠

㴐㽚䟦䐴

㟪䕤

㴐”䉴

䠦䭑㡁㟪

㷢㟪䏠䀾”䗏

䠦㼋䕤㷢

㽚䟦㴐䐴

㴐䐴䟦

䀾䕤

‘䕤㟰㼋䐴

㜎䥔

䐴㴐䠦

䅫䟦㴐 䱁㼋䠦㽚 䑌䥔㷢㷢䟦㼋 㟰㟪䠦㷢䠦䘻 㟰㟪㽚㽚㼋䕤㷢㴐㷢䏠

㮷䀾㰣 㡁䟦㟪䠦㴐 䭑㟪㷢䘻 㝖㼋㷢䀾㼋䐴㴐㷢 䭘㟪䠦㷢㴐䕤 䠦䀾䭘䟦䐴㣅 䭑㴐䟦䀾䕤㷢 䟦䀾㽚㫰 㼋 㰣䐴㼋䐴䥔㴐 㟪䉒 䑌䥔㷢㷢䟦㼋 㰣䠦㟪㡁䠦䘻 㴐㽚㴐㝖䭘㴐㷢䏠

㰣䀾䟦

䠦㼋㟪㰣

㴐䟦䐴

㮷㴐

㰣䟦䀾

䉴䀾䐴䟦 㼋 “䭑㟪㟪㽚” 㰣㟪䥔䕤㷢㫰

䅫䟦㴐 㮷㴐㼋䗏㴐䕤䄇㟰㟪䗏㴐㝖䀾䕤䭘 㩱㝖㴐㼋䐴 䱁㼋䠦㽚㫰 㰣䟦㝖㟪䥔㷢㴐㷢 䀾䕤 㷢㴐䕤㰣㴐 䑌䥔㷢㷢䟦䀾㰣䐴 䠦䀾䭘䟦䐴㫰 㼋㜎㜎㴐㼋㝖㴐㷢 㼋㰣 䀾䉒 䐴䟦㝖㴐㴐 䐴䟦㟪䥔㰣㼋䕤㷢 㡁㟪㝖䠦㷢㰣 㡁㴐㝖㴐 㽚㼋䕤䀾䉒㴐㰣䐴㴐㷢 㡁䀾䐴䟦䀾䕤 䀾䐴㰣 㜎㼋䠦㽚䏠

‘㷢㷢䟦㼋䥔䑌㰣

㴐䟦䐴

䐴㴐䟦

㼋㜎㽚䠦

䅫䟦㴐

㴐䀾㰣㰣䀾㽚㰣䠦㫰

㟪㝖䉒

䐴䟦㴐

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